Ok so we’re a little late this year. We’ve had a lot on our mind since, in case you hadn’t noticed, a lot’s been going on in the world besides local music. And while local music is always important and will always be OUR lifeblood, when the world shuts down and refuses to allow live music performances to take place… we get a bit depressed and unmotivated :(.
Luckily, the lack of live performances allowed many local groups to focus on recording and releasing new material! In this spirit, instead of doing our usual ‘worst local band of’, we decided to do a ‘worst local recording of 2020’! And there were so many to choose from… a list of all the great local recordings that made the list but not the top ten is available at the bottom! We recommend listening to not only the top 10 but every single one listed!!! There is so much great local music that’s released every year that we all miss just because we don’t hear about it, and we’re just trying to do our part to remedy that! Thanks for reading! Here’s the top 10:
Madeline Darby has been an integral part of the local scene and especially the Superdark collective for years now. As a member of Dominated Swine and Thinner Friends in addition to her solo releases, her contribution to the electronic noise music in the capital district local scene is enormous to say the least. And on her most recent release, Innovation, her mastery of the independent experimental electronic and darkwave genres are on full display. A very personal album full of vocals, despite the frequent use of monotone/rap, it’s evocative of the very individual intellectual and psychological struggles that Madeline Darby and the rest of us face on a daily basis. With Shane Michael/100 Psychic Dreams contributing mixing and Paul Coleman mastering, Madeline’s collaborative spirit and choice of the best of the best in the local scene’s recording industry is beyond reproach. But the wealth of knowledge of electronic recordings and forays into the tiniest corners of the extensive wealth of electronic genres is fully displayed by all the intriguing tracks contained in this twenty minute ep — you have to hear it to appreciate just how much space it covers!
We at Times Boredom have been huge fans of Scum Couch for awhile now (even editorially suggesting they be the best of last year). But we may be biased, since the kind of avant-garde experimental rocking noise music Mark O’Brien deals in is pretty much our favorite post subgenre. And this short collection of loud wailing noise rock is just magnifique! Calling to mind the noisey experimentation of a thousand barely heard touring artists (we think of our old but sadly defunct friends Ape Not Kill Ape), but also relating to post and noise rock heroes like Silver Daggers, Oxbow, and Health, this ep is a gateway drug to all things further left field than most likely anything you’ll ever hear on the radio (other than perhaps the Superdark Radio Show!). And it melds so many genres and advances in the genre’s influences so seamlessly it sounds as though O’Brien isn’t just pioneering but invented them all! Well done, as always!
This is what happens when you don’t respond to the surveys people!
So if that last entry was a little too noisey or far left of the dial for you, there’s no way you’re going to be able to stomach to this release from two members of Albany’s long running noise rock collective Che Guevara T-Shirt. Apparently both have been digging into far more noise over signal and random chance experimental recordings, though the sides of the coin that are on display here from the two sound artists are certainly very distinct from each other.
Olander’s side of the record is 5 songs of nothing but straight kazoo solos.
Sonin, on the other hand, appears to be utilizing feedback from various contact mics on acoustic instruments in the foreground and layers of amplifiers mic’d and feeding back into each other as background. Both lack obvious rhythm (though both are clearly rhythmic in their own unusually defined ways), traditional instrumentation, or vocals of any kind. Mixing and mastering by omnipresent behind the scenes star Paul Coleman and (on the Olander tracks) Carl Blackwood of local band Bendt lend these recordings balance and presence, but take away nothing of the intentional grit. Dark, foreboding seemingly random soundscapes lie in wait on this record to entertain, creep you out, and intriguingly describe a period in the lives of their creators.
The Superdark collective supergroup Thinner Friends is made up of Madeline Darby (Madeline Darby), Gary Ziroli (Mr. Cancelled), and Shane Sanchez (100 Psychic Dreams, Blood Blood Blood, Eternal Crimes, etc.). Dealing in energetic electronic postpunk, the group gained immediate attention and local love upon forming and playing their first show. Since then they’ve created a cadre of songs for this debut ep of fun, danceable tunes melding too many hip genres to list. If you’re familiar with other groups these three allstars have been involved in, you’ll be pleasantly surprised to hear their separate talents merged into one group that so naturally complements and completes both songs and instrumentation it sounds like they’ve always been together. Three to the third power of great tastes that taste great together!
A lot of different independent original music elements were brought together for this compilation, from groups associated with the Superdark collective in Saratoga and Troy, to Glens Falls No More Death Stars, eastern Massachusetts stars Leap the Dips, Albany allstars Gay Tastee Ex Machina, all the way down to groups that started in Albany and made their way to NYC and Ohio Never out of the Woods! There have been plenty of similar compilations over the years (like say from NYC to Albany, the screed comps, countless punk rock split 7 inches), but this one was formed out of the need for community resulting from the atomization and forced solitude of the pandemic. Compiler Keith Sonin (of local goatherders Che Guevara T-Shirt) worked with superpower duo the Colemans to solicit, bring together, and sequence songs made from the horror and loneliness brought on by the pandemic starting in Albany and spreading as far and wide as needed to convey the pluralistic reactions to the stay at home orders. ‘Intimidating’ near straight noise experimenters like Derpetuity, Arbitrary Labor, and dblgoer stand side by side with the somber yacht rock of the K.O.N.N. and Sava_D and the the lo-fi downbeat Stooges like tracks of Rey Cormac. Most of the artists are either locally famous or the pen names of locally famous group members and one off collaborators. But it’s all motivated by the same spirit of trying to make original independent songs to get ourselves and our friends through this time, and have something to remember it by.
We’ve been raving about Lone Phone Booth since we first saw them in a dank basement, and haven’t stopped screaming about how great their sophomore effort RE/Sound is since we first heard it (read more at here)! Such a tour de force of not only experimental found sound collages but classic indie rock melodies and guitar lines; we genuinely fear that Lone Phone Booth will relocate some day and leave our love behind. Because clearly they have the talent and the ability; even the recording of every last noise put into this record is crisp and clear when appropriate, fuzzy and lethargic when that’s called for. Clearly we’re not alone, as more and more fans are picking up on how terrific the efforts of Grace Annunziato keep getting better and better. We like to think that we here at Times Boredom enlightened at least a few cool kids to the great sounds of LPB; if we achieved even that, it has not all been in vain!
Albany underground legend Drew Benton (Complicated Shirt, TOUGH, Sesame Plexer) just seems to be getting better with every new group he puts together, every new album he makes. The undeniably epic ‘3rd Degree Moonburns’ proves that not only does Benton still have the chops to blow us away with his talent, but that his songwriting skills are not only still great but further developing with every new year. Influences like Magazine, Television, and Richard Hell still figure prominently in the sound, along with the glam of Bowie and Mick Ronson and T. Rex. The sharp, caustic wit that’s been evident throughout his career is here tempered with the wisdom of being able to view it from outside; the noisey punk screeches matured into a melange of sounds that come from everywhere; guitars, drums and bass, but now also horns, piano, and all kinds of Pet Sounds type instruments one would be hard pressed to identify individually. There are even ballads so beautiful and sombre they rival those of Tom Waits (we can’t wait until Rod Stewart covers a Haunted Cat song!). The history of popular music is being examined here, from Walls of Sound to glam-sludge and everywhere in between. Steeped in music theory and a talent for pop songwriting that is unrivaled in the local scene, Haunted Cat reaches (forgive us for the cliched terminology but it really does apply here) EPIC heights with this record. A FUCKING CLASSIC.
Those that know Steve Hammond know that he’s no stranger to unusually high productivity, but on his 2020 release he breaks pretty much every record we can think of. An album with over ninety minutes of music that keeps it interesting with the ‘small song’ format, no song is longer than 3 minutes, most are under two, and the ‘smallest’ comes in at 19 seconds! In addition to having 53 songs (fifty-fucking-three!!), the number of genres included in this small masterpiece exceeds even the number of songs. From the shoegaze of ‘Escaping Hell’, the post-hardcore of ‘cat skin suit’ and ‘dog rape whistle’, to genres times boredom doesn’t usually hear like southwestern instrumentals (guitararra), bossa nova (georgie bean), and even good old fashioned soul with ‘Wasting Away’. And we thought k. Sonin who was eclipsed by Asa Morris were productive! With about 40 albums featuring Steve’s love of all music willing to go anywhere style available on bandcamp alone, Hammond is a genre-bending songaholic never stopping always entertaining steel driving music man!
2. Sky Furrows
If you’ve read anything about Sky Furrows on Times Boredom before, you know we never run out of good things to say about them. We’ve been gushing about how terrific they are since they first time we saw them and were entranced by their early SST spoken word post-hardcore sound (we’re all big SST fans from back in the day, and although they combine influences from plenty of other hip underground genres that’s the one we love and celebrate most). And finally, we got to hear their recorded output in 2020 with their self titled new record. Best of all, we got a copy of the vinyl (read Ipolit’s review here)! The timing couldn’t have been better since we’ve been missing their fantastic live shows with all the famous and talented long and short term scenesters on and off stage, so the fact that their record came out mollified us no end being able to listen to it over and over again when we were missing them. Truly the Capital District has been blessed with the unique spoken word poetry of Karen Schoemer (herself an actual music journalist unlike any of us amateurs whatwhithin our nonsensin grammar and rocknroll vocab), the combination of Burnt Hills legends Eric Hardiman, Mike Griffin, and Phil Donnelly (all of whom are in plenty of other fascinatingly creative psychedelic tinged groups like Century Plants, Rambutan, Parashi, etc.), all coming together to give some of their best to truly one of the best albums to come out of the Capital District ever!
It’s no secret that there’s mutual love between local scene arms the Super Dark Collective, Times Boredom, and super talented power couple Jennifer and Paul Maher-Coleman (read TB’s interview here) and the many musical projects they spearhead and contribute to, but Architrave’s pandemic release proved once more why this specific group of theirs is as popular and worshipped as they are. Almost timeless in its influences and sounds, the record could be from the late seventies, the synth drenched mid eighties, or the Brooklyn hipster synth-pop renaissance of the early turn of the century. But unlike any nostalgic rehash, Architrave’s songs are purely original compositions based on a love of all their influences and an undeniably innovative resulting output. And of course this ain’t no synth-pop record; there’s a dark mystique and spirituality to this and all Maher-Coleman penned tunes that reveal a depth that, while undeniably catchy, comes from a well of human spirit that’s lived, loved, suffered, and come to terms with the meaningless complexity of life’s many unexpected twists and turns in a way that comes out as nothing short of great wisdom. And that’s not something you usually (if ever) hear in recorded rock, pop, and electronic music. Dark or cold wave would be an insulting term to apply to the brilliant tunes of ‘This Perfect Day’, given how superficial and naive so much of those genres turn out to be. This album represents a definitive maturity of sound crafted by a lifetime of electronic know-how and mastery of evocative melody to convey the personalities of its wise creators. This Perfect Day is not only a perfect record for the pandemic, but we keep spinning it well into the post-pandemic period, appreciating more of its complexity, integrity, and unerring honesty with every new listen. Everything that Jen and Paul Coleman are involved in is made better by their presence, but when their greatness is distilled to its essence in Architrave, something amazing and timeless has been released into a world made much better as a result of the beautiful and new colors it adds.
Honorable mentions (maybe in a particular order, maybe just randomly…): Dominated Swine – Songs of the Dominated Swine, Fine Grain – Cold Dead Eyes, Mount Mole – Flee Marker, Maggot Brain – Illumine, Ferriday – Everywhere you go, 100 Psychic dreams – variously releases, Apostrophe Beats – various releases, Brent Gorton – Quiet Time, Coupons – Up and Up, Aldebaran – Blue Lands, Bridge of Flowers – BIll + Ed, Laveda – What happens after?, Burnt Hills – Slip through time, Eraserheadz – Tales Not to Sleep, Various – Timmy Wiggins Come Home Soon Volume 1, Various – 2 dead hummingbirds presents, Machine REvival – Pulse Decay Time, Matthe D. Gantt – Diagnostics, Joe Taurone – Just Joe Vol. 1, The King of Nothing Nowhere – Her words my mouth, Rhakim Ali – Less is More, John Powhida International Airport – Single Feeling Randy, Pete Donnelly – Woke Bastard, Swamp Baby – Water Gods, Mike Hotter – Room to Land, Gay Tastee Ex Machina – Shook, Normanskillers – s/t
Don’t like our pics? Get involved in the survey for next year! E-mail firstname.lastname@example.org to let us know about your interest! Or better yet, send us an editorial all about your favorite band and why they should’ve won. If it’s grammatically correct, poignant, or funny enough we’ll publish it!